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Summary

The Cult of Stalin was a powerful force in the Soviet Union, shaping how people saw him and their own lives.  It was not just about fear – many truly revered him.  Even victims of the Terror sometimes felt deeply connected to him. 

The Cult had several purposes.  It helped Stalin strengthen his power, making him seem like Lenin’s true successor.  It also distracted people from failures by turning Stalin into a figure who was 'above' politics.  He was portrayed as a god-like leader, a caring father, and even a military genius during World War II. 

Some historians argue that Stalin needed this constant praise for psychological reasons.  He was not been as popular as Lenin had been, and after the disasters of forced collectivization, he may have wanted to secure his position.  Others point out that he rejected excessive flattery, and controlled the cult to unifying and motivate the state. 

The Cult wasspread through images, books, and speeches.  By the early 1930s, Stalin’s portraits covered the country.  He was shown with children, workers, and heroes, always looking strong and wise.  His name was repeated constantly in newspapers and speeches.  History was rewritten to make him appear as the key figure in the Soviet Union’s success.  People stood up when his name was spoken, clapped for minutes in his honor, and sang songs praising him. 

Why did people believe in the Cult?  Some had worked so hard for socialism that they wanted to believe in its leader.  Others saw him as a source of order after years of chaos.  Some accepted it as part of a social contract, trading obedience for stability.  Soviet propaganda was also incredibly effective – many simply never questioned what they were told. 

 

 

The Stalin Cult

"After the demonstration.  They saw Stalin"; painting by Dmitry Mochalsky, USSR, 1949; study the faces.

 

In his book, The Stalin Cult, the German historian Jan Plamper gives some examples of how the Stalin Cult affected people in Stalinist Russia. 

In one story an Old Bolshevik lady whose house he visited fainted on the spot.  In another, WWII veterans, who had gone to college after the war, turned the poster of Stalin to face the wall to feel free enough to talk openly about their experiences at the front.  The human-rights activist Vladimir Bukovsky – who would as an adult spend 12 years in Soviet psychiatric person-hospitals – as a youth had nightmares in which he failed to prevent Stalin drinking poisoned water.  And when Stalin died, a number of people – including former victims of the Terror – suffered heart attacks when they heard Stalin had died. 

So I think we need to start by realising that the Cult of Stalin was very real.  This was not people pretending to revere Stalin because they were afraid of the GULAG; this was genuine worship. 

  

  

1.  Causes

•  Power: To increase Stalin's legitimacy and authority as Lenin's true successor, raising Stalin's status above other members of the Party so he became all powerful. 

•  Politics: To redirect anger for failed or unpopular policies by transforming Stalin into an icon who transcended politics. 

•  Patriotism: To unify the USSR around loyalty to one leader. 

•  Paranoia: There is little doubt that, at least towards the end of his life, Stalin saw plots everywhere. 

  

•  Personality Disorder: Did Stalin enjoy, perhaps even need, constant praise?

In 1979, the American historian Robert Tucker wrote:

Although he had won considerable support and even popularity inside party circles during the early post-Lenin years, Stalin never enjoyed a prestige even remotely comparable to Lenin's.  His popularity, moreover, plummeted in the early 1930s as a result of forced collectivization and the famine of 1932-33….  So Stalin was undoubtedly concerned to forestall future trouble by making his political supremacy more unassailable…
But, important as it was, the political motive does not provide a sufficient explanation.  Not only did the cult continue to grow after Stalin's power became increasingly absolute later in the 1930s, but both direct and indirect evidence indicates that it was a prop for his psyche as well as for his power.  Boundlessly ambitious, yet inwardly insecure, he had an imperative need for hero worship. 

Recently, however, historians Sarah Davies and David Brandenberger have thrown doubt on this interpretation, citing incidents where Stalin became angry at immoderate praise – for instance, when he ordered that the sycophantic: Stories of the Childhood of Stalin (1938) be withdrawn for its “inexactitudes”. 

Plamper found that Stalin “masterminded his own cult”, deliberately imposed it upon writers, artists and officials, and personally censored books and articles.  He suggested that Stalin's modesty was “immodest modesty”, designed ostentatiously to portray himself as above flattery … yet even he includes the story of the time Stalin was furious when he found out that his son was using his surname to get himself out of trouble:

“But I’m a Stalin too”, argued his son. 

“No you’re not”, said Stalin, “You’re not a Stalin and I’m not a Stalin.  Stalin is Soviet power.  Stalin is what he is in the newspaper and the portraits, not you, not even me!”

...  which story gives us, I would suggest, a significant insight into why Stalin spent so much time and effort developing the Cult of Stalin. 

  

2.  Stalin was portrayed as the 'Vozhd' (supreme leader)

...  who was:

a.  god-like, omnipresent, omnipotent, infallible;

b.  a man of the people working alongside ordinary people;

c.  a 'father-figure', caring, yet stern, with the Soviet populace as his 'children';

d.  an expert in everything;

e.  a great thinker who understood communism and was the true successor of Lenin;

f.  when WWII broke out, as the 'Generalissimo', the defender and saviour of the USSR. 

  

3.  How was this achieved?

HHistorians cite the celebration of Stalin's 50th birthday in 1929 as the starting point for his cult of personality.  Up to that point, Stalin had chosen to work ‘behind the scenes’ as Party Secretary.  Now he assumed a double-billing with Lenin.  The famous photo of Stalin sitting with Lenin on a bench was reproduced everywhere.  Processions carried banners of Lenin … and, for the first time, of Stalin.  The Soviet press claimed he had been Lenin's constant companion, and that Stalin was the champion of Lenin's teachings. 

1.   By 1933, the Soviet Union was covered with his image.  In a country where many adults were barely literate, pictures were vital to conveying the message, and Stalin was shown:

  • Surrounded by children, or workers, or the people;

  • Dressed in white, or in a grey tunic of a worker;

  • In front of the red flag;

  • Alongside Lenin and Karl Marx;

  • Larger than everybody else, in a pose of authority; often he was the only person in colour;

  • Associated with some great success, such as the Volga Canal, or the Ryon dam, or meeting with the crew of the ice-breaker Cheliuskin, saved after their ship sank in the Arctic, or decorating Stakhanovites or Red Army heroes;

  • During the war, he looked grave and stern-faced; at moments of success he appeared laughing and jovial.

For Jan Plamper, Dmitry Mochalsky’s 1949 painting: ‘After the demonstration.  They saw Stalin.’ represents the consummation of the Cult. 

2.   Every house contained figurines and pictures of Stalin, in the way religious Russians venerated icons of the saints; during the famine in Ukraine 1932-33, it was a saying: “No bread on the table, Stalin on the wall”. 

3.   The Soviet press constantly praised Stalin, describing him as "Great", "Beloved", "Bold", "Wise", "Inspirer", and "Genius".  From 1936, the Soviet press started to routinely refer to Stalin as the "Father of Nations", "Builder of Socialism", "Architect of Communism", "Leader of Progressive Humanity" etc.  Speeches described Stalin as "Our Best Collective Farm Worker", "Our Best of Best", and "Our Darling, Our Guiding Star". 

4.   Even high-ranking ministers joined in the public praise – eg the Commissar for Internal Affairs, Lavrenti Beria, wrote that Stalin “dominated his entourage with his intelligence”.  Disagreements were kept secret, creating the illusion of undisputed authority. 

5.   History was re-written: the History of the All-Union Communist Party of Bolsheviks was published in 1938, with significant changes to the historical events that actually took place, emphasising or inventing Stalin’s decisive actions at critical moments.  As opponents fell out of favour, they were edited out of photographs; in schools, teachers would go through the history textbooks, pasting new photos over the top of the images of the purged. 

6.   Children, especially, featured large in Stalin’s programme.  From 1935, the poster: "Thank You Dear Comrade Stalin for a Happy Childhood!" appeared above doorways at nurseries, orphanages, and schools; children also chanted this slogan at festivals.  Mothers taught their children that Stalin was ‘the wisest man of the age’.  The cult was spread through the Komsomol, the 'All-Union Leninist Communist League of Youth' for young people (9-28 years old). 

7.   By the late 1930s, people would jump out of their seats to stand up whenever Stalin's name was mentioned in public meetings and conferences.  When a round of applause was called for him, it would regularly continue for at least quarter of an hour. 

8.   Numerous towns, villages and cities were renamed after the Soviet leader. 

9.   Stalin became the focus of literature, poetry, music, and film that exhibited fawning devotion.  An example was Alexander O.  Avdeenko's Hymn to Stalin (1935):

Thank you, Stalin.  Thank you because I am joyful.  Thank you because I am well.  Centuries will pass, and the generations still to come will regard us as the happiest of mortals, as the most fortunate of men… because we were privileged to see Stalin, our inspired leader ... 

Everything belongs to you, chief of our great country.  And when the woman I love presents me with a child the first word it shall utter will be: Stalin. 

   O great Stalin, O leader of the peoples,

   You brought man to birth. 

   You make the earth fruitful,

   You restore the centuries,

   You cause the spring to bloom,

   and music to play. 

   You, splendour of my spring,

   O thou sun reflected by millions of hearts. 

       During World War II, Stalin's name was included in the new Soviet national anthem. 

10.   Censorship:

  • The function of state censorship under Stalin was to ensure ‘Soviet Realism’ (an idealised representation of life under socialism).

  • Books and newspapers were censored by Glavlit, the Directorate for the Protection of State Secrets. To be published, a book had to be accepted by a state-owned publishing house. Possession of an unauthorised book was a crime.

  • Purged people were erased from photographs (e.g. Trotsky).

  • Stalin personally acted as chief censor for films; he made so many suggestions for the film The Great Citizen (about the Moscow show trials) that it had to be completely rewritten. When The Law of Life depicted a Komsomol leader in a bad light, the film was banned and the director put on trial.

  • Foreign radio stations were jammed.

  

Why was the Cult of Stalin so successful?

There are a number of possibilities:

1.   Emotional Investment?

  • The historian Sheila Fitzpatrick suggests that many Soviet citizens, especially workers and younger people, had invested so much effort in the revolutionary project that they were emotionally invested’ – they wanted to believe that Stalin was guiding them to a socialist utopia. 

2.   Political Religion?

  • Although Graeme Gill (2021) stresses that there was much about the Cult of Stalin which was very UNlike a religion’, he accepts that “there are aspects of the leader cult and its realisation that bear close comparison with religion” (as does Anita Pisch, 2016).  The Russian people’s religious faith in God, and the Tsar as their 'Father', morphed easily into revering Stalin as an infallible, omnipotent figure. 

3.   Need for Stability?

  • The famous historian Orlando Figes argues that, after years of war, famine, and social upheaval, many people craved order and stability, “millions of people looked to Stalin as a protector from injustice and the embodiment of all their hopes”. 

4.   Soviet Social Contract?

  • It has been suggested that the Stalin Cult was the ‘promise’ part of an implicit social contract: people tolerated harsh government in exchange for the promise of modernization, and national strength. 

5.   Cognitive Dissonance?

  • ‘Cognitive dissonance’ is the psychologist’s term of ‘making the best of it’.  Faced with horrific terror, did people grab the idea of the benevolent leader as a “subconscious survival mechanism”. 

6.   National Pride and External Enemies?

  • The 1930s were a time of international danger for the USSR, both from with Nazi Germany and the capitalist powers.  The Cult subsumed ‘Stalin-the-defender-of-Russia’ into national patriotism. 

7.   Susceptibility?

  • As Jan Plamper points out, all this persuasive propaganda technology was brand new, and until 1918 most of its recipients were illiterate and knew nothing beyond the mir.  They were not trained in bullshit-recognition to the same extent people are today. 

   

 

Stalin (right) with Lenin on a bench – the photo that launched the Cult of Stalin.

 

Stalin's birthday celebrations..

 

The reality of our program is living people, you and I'

 

'Glory [or Love] to Great Stalin!' in Azerbaijani, then in Russian.

  

'All hail Stalin, the great architect of communism'; Stalin inspects the Volga Canal (1935).

  

Stalin at the hydro-electric dam at Ryon in the Caucasus (1935). 

  

A photo from 1937 of Stalin visiting the Volga Canal in 1935.  The man to his left is Nikolay Yezhov, the NKVD chief who conducted the Great Purges (the Yezhovshchina), but was disgraced in 1939 and executed in 1940.

 

A 1940 photo of Stalin visiting the Volga Canal in 1935.

 

'Long live the Komsomol generation! Stalin' (1948)

 

Consider:

1.  Explain why the story of Stalin's argument with his son "gives us a significant insight" into why he developed the Cult of Stalin.

2.  Study the ways Stalin was portrayed (2.a-f); for each, suggest the kind of person it would appeal to. 

3.  Repeat the same exercise for the ways Stalin was depicted in paintings (3.1).

4.  Study the paintings and posters; explain their imagery and impact.

5.  Why, do you think, was the Cult of Stalin so successful?

 


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